The JVM410H’s vast tonal spectrum makes it the most versatile amplifier Marshall has ever made, used by many professional players. Each mode reconfigures the channel gain stages in order to develop different amounts of gain and tone. This 100 Watt head is an all- valve tonal monster that has four channels, each with three modes: Green, Orange and Red, offering guitarists a range of 12 unique tones. When the JVM410H launched in 2006 it caused quite a stir. It is the JCM2000 DSL100’s tonal range and versatility that made it massively popular in its day, so much so, that its legacy lives on in the current DSL Series. This tonal versatility was aided by the Deep and Tone Shift features. Launched in 1997, the JCM2000 Dual Super Lead’s ‘dual mode’ design meant that guitarists could choose either a Clean or Crunch tone from the Classic Gain Channel, whilst the Ultra Gain Channel provided two lead sounds: Lead 1 & Lead 2. The 1962 Bluesbreaker is still made today as part of the Vintage Re-Issue Series™ and Handwired™ Series. The 1962 was famously used by Eric Clapton on the influential blues album ‘John Mayall’s Bluesbreakers’ in 1966 – hence the 1962’s ‘Bluesbreaker’ nickname. Launched in 1965, it had two 12” speakers with an output of 30 Watts. The 1962 Bluesbreaker was the first combo made by Marshall. Simulates the sound of an electro-acoustic guitar.
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